Crew Call Podcast: In a very short time in Hollywood, production designer Devorah Herbert has left an everlasting visual impression in film and television. She brought a gritty, South Central L.A. authenticity to David Ayer’s crime dramas such as End Of Watch and Harsh Times, and she boldly established a red palette in the pilot of ABC’s Revenge — emphasized so greatly during its murder-on-the-beach wedding scene — a motif that continued throughout the series’ first…