For a movie that relies so heavily on a single, not especially groundbreaking visual effect —  now you see the bogeyman, now you don’t —  “Lights Out” is crazy scary. The film’s central conceit of a mysterious, malevolent figure who appears only when the lights are out, and who disappears, physically as well as visibly, with the flip of a light switch, is enormously, even irrationally, effective.

 

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