Borrowing From The Past

Musical thievery — plundering the past to create new works — is nothing new. Beethoven wrote variations on Mozart. Brahms did the same with Handel. Busoni practically made his living off Bach. So if Mark Steinberg and the Brentano String Quartet go back to the Renaissance to pilfer a few gems from the madrigals of Gesualdo, nobody will be clamoring for an arrest.

 

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