Pedro Almodóvar’s world is and always has been a world of color. He’ll ask his actors to perform the most delicately complex scenes in front of wildly patterned wallpaper. The furnishings in his characters’ apartments—hanging lamps in tangerine and turquoise, vases of flowers in tones beamed via radio signal from some far-off planet, couches that look as if they’d been upholstered using the pictures from a tiki-bar menu as inspiration—inspire amateur interior decorators everywhere.