A year ago, on the Vulture page of New York magazine, film critics David Edelstein and Bilge Ebiri picked their favorite horror films since Stanley Kubrick's "The Shining," i.e., since 1980. Their list included such underseen and welcome titles as "The Descent"; an unusually strong franchise-starter (the first "Nightmare on Elm Street");, a standout George Romero addition to his own favorite genre ("Day of the Dead");, a ripping monster picture from a terrific director (Bong Joon-ho's "The Host"); and others I like nearly as much, plus a few I don't, or films that have become grindingly familiar totems of the popular culture ("The Silence of the Lambs," beautifully acted trash).