Throughout her career, director Sofia Coppola has managed to depict and visualize loneliness in a way that few other filmmakers ever have. Sometimes she does it by physically sectioning her characters off from the outside world, like the titular group of girls in The Virgin Suicides, who desperately wish to break out from the confines of their constrictive home. Other times, Coppola has done it by planting her introverted leads in the center of noisy metropolitan areas, like in Lost in Translation or Somewhere.
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