By Ann Hornaday, The Washington Post In 2001, filmmaker Thomas Riedelsheimer made “Rivers and Tides: Andy Goldsworthy,” a captivating, visually rich documentary about the British sculptor known for land-art creations and museum installations. “Leaning Into the Wind” catches up with the sculptor 15 or so years later, still foraging quarries, meadows, bogs and forest floors for his materials, still creating disruptions within built and natural environments that feel both organic and shocking, conveying both reassurance and a sense of faint unease. Although Goldsworthy was in his 40s during “Rivers and Tides” and is in his 60s now, Riedelsheimer doesn’t probe his subject on what has changed.