It's a rare phenomenon for a director to remake their own movie, but this year, there are already two instances of filmmakers retrofitting their foreign-language darlings for American audiences. Hans Petter Moland turned his Scandinavian thriller “In Order of Disappearance” into the Liam Neeson...
Comment on Review: ‘Gloria Bell’ shows Julianne Moore thriving — and dancing — through middle age
Katie Walsh, Los Angeles Times: Movie
Thu, 03/07/2019 - 1:25pm
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