In Steven Spielberg’s A.I. Artificial Intelligence, the Pinocchio-esque quest of a child robot to become a real boy hinges on one thing: the love he feels for his mother. For Spielberg (and for Stanley Kubrick, who had been developing the project before he died), the incredible bond shared between parents and their children was fundamentally a human characteristic, and it was so deep, so profound, that if a being with artificial intelligence could experience it, they could basically be said to have achieved consciousness. Westworld has proposed a similar idea before — particularly in the character of Maeve, whose abiding affection for her daughter was the reverie that both awakened her to the reality of the park and prevented her from escaping it.
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