It's a question that's boggled my mind for some time, and maybe you too. Cinematographers are so ingrained in the fabric of the creative process of filmmaking -- in many cases they will start on films in the pre-production stage -- why aren't more of them motivated (or given the opportunity) to direct? Through the decades there have been the DP-turned-director shining beacons: Haskell Wexler ("Medium Cool"), Gordon Willis ("Windows"), Barry Sonnenfeld ("Get Shorty" and all the "Men in Black" films), Ernest Dickerson ("Juice," "The Wire," "Treme").