Santino Fontana’s turn as a man in a wig comes at a time when Broadway has been reckoning with the idea that musical comedies need to offer fully realized female characters.
ALEXIS SOLOSKI, NY Times: Theater
Wed, 03/20/2019 - 7:00am
Santino Fontana’s turn as a man in a wig comes at a time when Broadway has been reckoning with the idea that musical comedies need to offer fully realized female characters.