Dean Moss’s “Petra” riffs on Fassbinder’s “Petra von Kant” and his life as a choreographer: “that process where you never attain what your desire is.”
GIA KOURLAS, NY Times: Dance
Fri, 01/19/2018 - 11:03am
Dean Moss’s “Petra” riffs on Fassbinder’s “Petra von Kant” and his life as a choreographer: “that process where you never attain what your desire is.”