Shooting in black and white, he trained his lens on inequality and despair in post-World War II life and became one of the most important visual artists of the 20th century.
Andrew Marton, Washington Post U.S.
Tue, 09/10/2019 - 8:18am
Shooting in black and white, he trained his lens on inequality and despair in post-World War II life and became one of the most important visual artists of the 20th century.