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Set in a fictional Eastern European country (actually played by Ireland, with the telltale brogue seeping into many of the character accents), “Kill Ratio” is a laughably inept political thriller that would have been right at home on the USA Network lineup circa 1990. Allegedly in town for a business
For movie fans, the end of the year is typically the time when find ourselves overwhelmed by a legion of top-ten lists from all corners of the internet, some of which we may agree with and others which we may not, but they always make for a good topic of discussion.
It shouldn’t be a surprise that a film titled “Confessions of a Womanizer” starts with a transphobic crack that the main character Richie (Andrew Lawrence) makes during his rock-bottom moment, sharing a jail cell with a trans woman, Ginger (Kelly Mantle, from the sixth season of “RuPaul’s Drag
Jose Prendes’ arty serial-killer drama, “Blood Brothers,” is so affected that it takes about half of its running-time to adjust to what it’s trying to do. But while the movie never develops much of a point, the offbeat rhythms and exaggerated style do set it apart from run-of-the-mill genre fare.
If nothing else, the sloppy horror/noir hybrid “Abattoir” is the weirdest effort yet from cult director Darren Lynn Bousman — and that’s saying something, given that he once helmed the 2008 splatter musical “Repo! The Genetic Opera.” Jessica Lowndes stars as real-estate reporter Julia Talben, who
With so many movies in development at once at any given time, it's only inevitable that certain elements may unintentionally (or not) mimic each other. This happened to be the case when Universal Pictures was developing THE MUMMY, the first of their planned Universal Monsters shared-universe. Originally the Mummy was planned to be male and the production team had arrived at a design which they were pleased