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The Shed Is Finally Open. Here’s What You Need to Know.

We offer a guide to navigating the new arts center set amid the towers of Hudson Yards.

 

Let It Bleed: The Perverse Influence of ‘Titus Andronicus’

With Taylor Mac’s “sequel” about to open on Broadway, we look at how Shakespeare’s goriest play has seeped into pop culture.

 

Theater Review: Onstage in Paris, Two Directors Overreach

Simon Stone and Stanislas Nordey present productions in which their ambitions get the better of them.

 

Review: In ‘The Cradle Will Rock,’ Labor Gets Belabored

A revival of the Marc Blitzstein “play in music” about unions and kleptocrats is too wan to make much of the material’s contradictions.

 

A Shakespeare Festival Presents Modern Translations. Cue the Debate (Again).

A series of readings at Classic Stage Company will present the fruits of a project that charged people with “translating” Shakespeare into accessible (and faithful) modern English.

 

Exit Interview: Goodbye, Omar Sharif: Katrina Lenk Reflects on ‘The Band’s Visit’

The Tony Award-winning actress, who has been with the musical since its first performance, looks back on its runs on and Off Broadway.

 

Stage Royalty Joined, and Separated, by Apartheid

South African actors John Kani and Antony Sher reunite for a play that explores how attitudes have, and haven’t changed, in the 25 years since democracy.

 

Review: A Devil’s Bargain, Live and on Video, in ‘Faust 2.0’

The latest Mabou Mines production is a strikingly designed but ultimately bloodless take on the weird second part of Goethe’s classic.

 

In a Musical ‘Death in Venice,’ the Author Is Present

A new production by Ivo Van Hove with a live orchestra makes the writer Thomas Mann a character in his most famous creation.

 

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