IndieWire

The series feels more akin to the 2015 Will Ferrell/Kristen Wiig feature, "A Deadly Adoption," itself meant to be a send-up of Lifetime movies.

For the first time, female filmmakers directed the majority of both the fest's features and competition titles. But that's not the only reasons why this year has felt so special.

37 cinematographers break down the camera, lenses, and look of their feature films premiering at the 2022 festival.

Sundance: Juri gives a full-blooded performance in "Jack and Diane" director Bradley Gray Rust's otherwise gossamer grief odyssey.

Sundance: Tia Lessin and Emma Pildes' expansive and emotional documentary about the Jane Collective sheds necessary light on a very recent history.

Sundance: Audrey Diwan’s drama about a young woman seeking an abortion in 1960s France vibrates with quiet power.

Sundance: Alan Cumming lip-syncs the testimony of "Brandon Lee," a supposed Scottish teen prodigy whose story is recreated in this familiar-feeling documentary.

Every day is a new murder (and a new celebrity) in Will Arnett's "Murderville." The only catch? No celeb has a clue...or a script. Watch the hilarious trailer below.

Sundance: Tig Notaro and Stephanie Allynne's feature directorial debut is a warm-hearted comedy that feels relatable, even when getting very specific indeed.

"Have I done nothing to advance the cause from my soapbox? I guess I’m not loud enough," the "Cyrano" star said.