I often tell audiences that I wrote my first novel about a Russian defector because “Brezhnevite Moscow is my Paris in the ’20s.” This professed love for a decidedly unromantic era is a quirky admission, and I usually give a sorry‐not sorry shrug when I wax poetic about communal apartments, Siberian punk rock and the 1980 summer Olympics.

Topics:  russian    ldquo;brezhnevite moscow   paris   siberian   olympics   i   

 

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