Mindful of the price point, designers were not churning out looks that could be tossed into a suitcase for a fanciful journey, but rather pieces that could hang in the closet for years to come, even left alone for a period only to re-emerge as relevant as the day they were purchased. The old debate continued about whether to get items to the store quickly to satisfy the consumer accustomed to instant gratification. [...] while some designers were quick to get out capsule collections, from Moschino to Ermanno Scervino, the overriding Milan mindset retained its commitment to luxury craftsmanship and materials, which cannot be rushed. Sweeping metallic-thread evening dresses created a liquid effect and had distinctive detailing, with one tying demurely on the derriere. Contemporary touches included multi-directional pleats on the daytime dresses — a technique achieved with a mostly polyester base to keep the shape — and a disciplined deployment of sequins and elegant studs. The French brand Vionnet made its Milan runway debut Friday evening in the 15th-century Casa degli Atellani palace, recreating a salon atmosphere amid carved wooden panels and centuries-old frescoes. Avian references appeared in encyclopedic prints on silken fabrics, while the bird-of-paradise's colorful plumage also inspired flashes of colors, including turquoise, green and pinks, which contrasted with taupe and black.