Jean Curran’s dye-transfer prints from film frames, and a stop-time movie by Catherine Opie, continue the 60-year love affair with Hitchcock’s “Vertigo.”
ARTHUR LUBOW, New York Times
Thu, 12/13/2018 - 3:48pm
Jean Curran’s dye-transfer prints from film frames, and a stop-time movie by Catherine Opie, continue the 60-year love affair with Hitchcock’s “Vertigo.”