Jean Curran’s dye-transfer prints from film stills, and a stop-time movie by Catherine Opie, continue the 60-year-old love affair of artists with Alfred Hitchcock’s ‘Vertigo.’
ARTHUR LUBOW, NY Times: Art & Design
Thu, 12/13/2018 - 4:00am
Jean Curran’s dye-transfer prints from film stills, and a stop-time movie by Catherine Opie, continue the 60-year-old love affair of artists with Alfred Hitchcock’s ‘Vertigo.’