Yannick Nézet-Séguin decisively conveys the subliminal intensity that courses through Debussy’s “Pelléas et Mélisande.”
ANTHONY TOMMASINI, NY Times: Music
Wed, 01/16/2019 - 2:23pm
Yannick Nézet-Séguin decisively conveys the subliminal intensity that courses through Debussy’s “Pelléas et Mélisande.”