Whether by fortune or fate, movie theaters are alive with stories — from the communist witch hunt of “Trumbo” to the lesbian injustice of “Carol” — that plunge back into the paranoia of the Cold War and the social suffocations of the decade synonymous with Eisenhower, the suburbs and the ever-present threat of the bomb. “Bridge of Spies”: First came Steven Spielberg’s “Bridge of Spies,” a spy thriller that, at its heart, is about the justice America affords captured enemy combatants and the strength of a morally strong individual (Tom Hanks, who else?) to stand up against a national tide of overzealous patriotism. After the 1957 capture of Russian spy Rudolf Abel (Mark Rylance), James B.