Just as Emmanuel Carrère’s earlier book “The Adversary” was an “In Cold Blood”-style “nonfiction novel” about a man who murders his wife, children and parents, so his latest, “Limonov,” might be called a novelized biography. While tracking the amazing, improbable life of Ukrainian writer, adventurer and would-be revolutionary Eduard Limonov, the book interweaves a social and political history of post-Stalinist Russia, chunks of Carrère’s autobiography and a hodgepodge of reflections on art, sex, ambition, the punk aesthetic, fascism, mysticism and old age.