To rescue a book from its status as a punchline is a noble goal, and Laure de Clermont-Tonnerre has pulled it off with her thoughtful and radiantly carnal adaptation of D.H. Lawrence’s Lady Chatterley’s Lover, a book many people think they know even if they’ve never read it. Full disclosure: I haven’t read it either, but now I will, given the complexity, ambition and beauty of Clermont-Tonnerre’s film.

 

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