In “Doomstead Days,” Brian Teare tracks climate change on his walks. In “Sight Lines,” Arthur Sze balances firing squads and rowboats. In “Brute,” Emily Skaja escapes a violent relationship. In “Hold Sway,” Sally Ball monitors tragedies averted.
TESS TAYLOR, NY Times: Entertainment
Fri, 04/26/2019 - 2:00am
In “Doomstead Days,” Brian Teare tracks climate change on his walks. In “Sight Lines,” Arthur Sze balances firing squads and rowboats. In “Brute,” Emily Skaja escapes a violent relationship. In “Hold Sway,” Sally Ball monitors tragedies averted.