“Sizwe Banzi Is Dead,” in Princeton, translates the repressive horror of apartheid into human terms through the use of easygoing humor in its early passages, then shifts into graver tones as the play progresses.
By MICHAEL SOMMERS, NY Times: Entertainment
Fri, 01/30/2015 - 6:43pm
“Sizwe Banzi Is Dead,” in Princeton, translates the repressive horror of apartheid into human terms through the use of easygoing humor in its early passages, then shifts into graver tones as the play progresses.