“Braid” is something of a throwback to certain films of the ’60s and ’70s, in which “psycho chillers,” giallos, and those art-house items that critic Pauline Kael called “Come-Dressed-As-The-Sick-Soul-of-Europe Parties” got all tangled up in supposedly shocking tales of decadence and perversion. Here, three young women — two on the lam, one off her gourd […]