In “Locke,” a film praised for its minimalist values, the director Steven Knight shot it almost entirely in the same car and with only one on-screen character.
By MEKADO MURPHY, New York Times: Movie
Wed, 04/23/2014 - 6:07pm
In “Locke,” a film praised for its minimalist values, the director Steven Knight shot it almost entirely in the same car and with only one on-screen character.