Quentin Tarantino's go-to cinematographer found a timeless hybrid look of the old and the new for shooting the pivotal year of 1969 in 35mm.
Bill Desowitz, IndieWire
Mon, 07/22/2019 - 3:10pm
Quentin Tarantino's go-to cinematographer found a timeless hybrid look of the old and the new for shooting the pivotal year of 1969 in 35mm.