‘we Were The Lucky Ones’ Co-composers Rachel Portman And Jon Ehrlich On ‘hopeful’ Title Theme

Eminent Indian documentarian Nishtha Jain’s latest effort is an account of the epic, year-long farmers’ protest that took place in India in 2020-21. “Farming the Revolution,” which world premieres at Hot Docs, follows the millions of Indian farmers who gathered during the height of COVID-19 lockdown at the borders of the country’s capital, Delhi, to […]

In less than a decade, the NewImages Festival’s XR market has become a key international rendezvous, emerging as both the immersive industry’s largest single-purpose event and a foundation of NewImages’ identity. Programing and positioning went hand in hand at this year’s festival, which brought immersive works designed for cultural spaces to the wider public, while […]

Prosecutor-turned-immersive storyteller Victoria Bousis has seen the often-separate strands of her professional lives converge in unexpected ways as she’s toured her recent project, “Stay Alive, My Son.” Using Cineplay – a mix of cinema with gameplay mechanics – the immersive experience adapts the memoires of human rights activist Pin Yathay, allowing users to embody Yathay’s […]

Given the NewImages Festival’s remit to welcome diverse artistic voices into the immersive space, programing “Noire” was an obvious choice. An augmented reality adaptation of a lesser-known case from the Civil Rights era, “Noire” brought much pedigree to this year’s Paris XR showcase. The project tracks the true story of Claudette Colvin, a 15-year-old girl […]

French 2D animation specialist Disnosc will bring Miles Davis, Chet Baker and Fats Waller to a headset near you. A family venture founded by Fabrice and Nathan Otaño – a father-son duo with respective experience in corporate analytics and high-end animation, with credits on films like “The Summit of the Gods” and “Ernest & Celestine: […]

Rags-to-riches tales, revenge plots, and plenty of twists—Chinese viewers are loving what they can find in internet “micro-dramas,” the latest big thing in Chinese entertainment of vertically-shot shows posted on social media with episodes that have runtimes of just a few minutes or less. But Chinese authorities, wary of losing control over messaging, aren’t loving the new medium so much—and are cracking down on the booming micro-drama industry. [time-brightcove not-tgx=”true”] Unlike legacy television productions with longer production schedules and larger budgets—and strict government oversight—the micro-drama industry has risen through the proliferation of low-budget, quickly made mini-shows that often cost only a fraction of the time and money to put in front of viewers, and until recently, were largely unregulated. Not known for award- or acclaim-worthy scripts or acting but rather for their pure bingeworthiness, micro-dramas tend to lean into familiar tried-and-tested themes, like love affairs, family disputes, and tensions between the rich and poor. Read More: China’s Solution to Inequality?