About a year and a half ago, I interviewed Daniel Waters, screenwriter of the enduring and dark teen comedy and media satire “Heathers” for the book ("Twee") I was researching at the time. The conversation was genial and funny, and I could tell he was what we used to call at my old employer Spin magazine a “quote machine.” Soon, the subject got around to films of the late American auteur John Hughes, particularly his iconic high school trilogy of “Sixteen Candles” (1984), “The Breakfast Club” (1985) and “Pretty in Pink” (the 1986 romantic comedy that he wrote but did not direct).