Two video releases examine pathologies: Martin Scorsese’s “The King of Comedy” concerns celebrity worship; Abel Ferrara’s “Ms .45” takes aim at homicidal revenge.
By J. HOBERMAN, New York Times: Movie
Thu, 04/17/2014 - 7:25pm
Two video releases examine pathologies: Martin Scorsese’s “The King of Comedy” concerns celebrity worship; Abel Ferrara’s “Ms .45” takes aim at homicidal revenge.