“MI-5 – not 9-to-5” was the nifty tagline appended to BBC spy series Spooks when it emerged in 2002. It served notice that this wasn't going to be a routine show, and, like the US’s 24, ushered in a rougher, more morally compromised type of post-911 spy drama. Over 10 years the show, centred around the UK’s domestic security intelligence agency (as opposed to MI-6’s international branch), quickly gained a reputation for fast-paced, slick yet gritty storylines, populated by a revolving cast of conflicted characters who, in what became the show’s trademark, were regularly and unceremoniously bumped off – as established in its second-ever episode, when a supposed lead, played by a rising British TV actress, was thrust face-first into a deep-fat fryer. Continue reading…