Here’s a tip to aspiring screenwriters: When you get to that clever, meta, self-referential moment when your characters describe their situation as a “Twilight Zone episode,” it might be nice if that weren’t wishful thinking. One of Rod Serling’s classic stinger-in-the-tail TV yarns represents the unattainable upside of “The One I Love,” a two-hander marriage drama built around witty performances by Elisabeth Moss of “Mad Men” and Mark Duplass of “The Mindy Project” and “The League.” This first-time effort for both director Charlie McDowell and writer Justin Lader developed modest buzz at Sundance last winter, which testifies more than anything else to the creative starvation of American independent film at the moment.Continue Reading...
Couple’s Therapy Gone Wrong: “the One I Love” And The Creative Starvation Of American Indie Film
Andrew O'Hehir, Salon: Movie
Thu, 08/21/2014 - 10:10am
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