NEW YORK (AP) — As an entry into the pantheon of great newspaper movies, Steven Spielberg's Pentagon Papers drama "The Post" is inked with deep affection for the analog apparatus of the newspaper business, circa 1971: the hum of broadsheets rolling through the presses, the metal clanking of handset type, the thump of a newsstand's morning delivery. The lede on "The Post," which opened nationwide last weekend and is considered a contender for Tuesday's Oscars nominations, is that it has resurrected a fabled chapter in journalism history to shed light on today's battles between the press and a White House that critics claim is disdainful of the Fourth Estate.