How They Shot The Spectacular War Rig Chase In George Miller's 'mad Max: Fury Road'

"Fury Road" was a reinvigorating adventure for veteran cinematographer John Seale, who came out of retirement to collaborate once again with George Miller. Only this was no "Lorenzo's Oil," the last film he shot for Miller. With usual "Mad Max" DP Dean Semler out of the picture, Seale stepped out of his comfort zone to tackle the reboot, which turned out to be the best action film in years — and in what is still the best post-apocalyptic franchise. "The whole film is basically a chase [in the desert landscape of West Africa with 75 vehicles], but was originally envisioned as a 3D shoot and they were building their own stereoscopic cameras," recalled the Oscar-winning Seale ("The English Patient").