Thomas Berger, the witty and eclectic novelist who reimagined the American West in the historical yarn "Little Big Man" and mastered genres ranging from detective stories to domestic farce, has died at age 89. "Berger's books are accessible and funny and immerse you in the permanent strangeness of his language and attitude, perhaps best encapsulated by Berger's own self-definition as a 'voyeur of copulating words,' " Jonathan Lethem wrote in a 2012 essay. If you like westerns, there's his classic, 'Little Big Man'; so, too, has he written fables of suburban life ('Neighbors'), crime stories ('Meeting Evil'), fantasies, small-town 'back-fence' stories of Middle American life, and philosophical allegories ('Killing Time'). Very early in life," he once said, "I discovered that for me reality was too often either dull or obnoxious, and while I did play all the popular games that employ a ball, lower hooks into the water, and, especially fire guns, I preferred the pleasure of the imagination to those of experience, and I read incessantly. "The book's appeal traces to two main currents: one, it's a tall tale in the great American tradition of Mark Twain, and, second, it's hip, modern and funny and anticipates appreciation and understanding of a vanished Indian culture by decades," the critic Allen Barra wrote for Salon in 2006. In "Adventures of the Artificial Woman," a technician unlucky in love constructs an ideal partner, only to have her leave him and become a movie star.