It's not until the climax of "The Man From U.N.C.L.E.," a colorful, Cold War-era spy thriller, that its main failing becomes clear: The plot doesn't matter. The characters don't care. The script doesn't care. And the audience shouldn't care either.
By Lindsey BahrThe Associated Press, Denver Post: Movies
Thu, 08/13/2015 - 2:03am
It's not until the climax of "The Man From U.N.C.L.E.," a colorful, Cold War-era spy thriller, that its main failing becomes clear: The plot doesn't matter. The characters don't care. The script doesn't care. And the audience shouldn't care either.