Rainer Werner Fassbinder’s opus, first shown as a series in 1972 and 1973, is funnier, more humane and more optimistic than anything else in his canon.
Review: ‘eight Hours Don’t Make A Day,’ Another Fassbinder Masterpiece
BEN KENIGSBERG, New York Times: Movie
Tue, 03/13/2018 - 9:31am
Topics: rainer werner fassbinder s
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